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Time and Tide, Sydney, in situ 2013Time and Tide, Sydney, in situ 2013Time and Tide, Sydney, in situ 2013Time and Tide, Sydney, in situ 2013Time and Tide, Sydney, in situ 2005

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Every universal body is in constant motion governed by an individual heartbeat possessing its own rhythm. The pulse of the heartbeat can be measured mathematically and subsequently, each mathematical sequence becomes a system for understanding the relationship of the human being to the greater universe and to time itself. Our moon, as it orbits the …

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I am fascinated by the nature of time and how it governs our lives and the universe we live in. In the natural world the passage of time is predominantly characterised by the existence of cycles and repetition where one phase or stage of a living, dynamic entity metamorphoses into another. I have created many …

Tsukimi Series (Glass)

Venetian Tsukimi is an arresting, complex piece, intriguing for its originality and mystery. It comprises sixteen Murano glass spheres, progressing from pure crystal to solid black and representing the phases of the moon. The full grandeur of the spheres is revealed on repeated viewing, with the layers of silver leaf and crystal gradually displaying their …

Time and Tide (wait for no man), Westfield, Sydney

(installation in association with Andrew Crick)
Art Consultant: Sally Dan-Cuthbert
Installation: JP Morgan, Grosvenor Place, Sydney, Australia

This permanent installation was created for J P Morgan, Sydney. The sculpture’s underlying concept is the significance of the nature of time, of the passing hours, days and weeks in any given month, to those who work within a corporate culture. Representing 16 lunar phases of half a calendar month, Time and Tide (wait for no man) attempts to reawaken the viewer to the moon’s powerful influence on our daily lives, rhythms, and emotions. It traces the waxing and waning of the lunar phases from full moon to new moon in a spiral formation; the symbol of continual renewal.