in situ at Dominik Mersch Gallery, Heartbeat exhibition 2011 in situ at Dominik Mersch Gallery, Heartbeat exhibition 2011 (Lunar) Ebb and Flow: No. 1 & 3, Heartbeat exhibition 2011 Tsukimi Slice, Heartbeat exhibition 2011 Lunar Circle: Figure H, Heartbeat exhibition 2011 Persian Strobe: No. 2, Heartbeat exhibition 2011 in situ at Dominik Mersch Gallery, Heartbeat exhibition 2011 Tsukimi Slice (front view), Heartbeat exhibition 2011 Liquid Light: Honeycomb No. 1, Heartbeat exhibition 2011 Liquid Light: Honeycomb No. 1, Heartbeat exhibition 2011 in situ at Dominik Mersch Gallery, Heartbeat exhibition 2011

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Strobe Series

Persian Strobe No 1

The Strobe works are abstract large-scale paintings referencing waves of bending, twisting light whose vivid bands of colour are a contrast to the subtlety of Borgelt’s earlier work. The rich, intense hues bring a drama to Borgelt’s oeuvre while keeping true to the artist’s ever-present concern with exploration of optical effects. The foundation of this …

Tsukimi Series (Glass)

Tsukimi Worlds

Venetian Tsukimi is an arresting, complex piece, intriguing for its originality and mystery. It comprises sixteen Murano glass spheres, progressing from pure crystal to solid black and representing the phases of the moon. The full grandeur of the spheres is revealed on repeated viewing, with the layers of silver leaf and crystal gradually displaying their …


Lunar Circle No. 4

The moon has a powerful allure, brimming with beauty, legend and myth. Its constant presence reminds us of the heavenly bodies beyond our own planet, the vastness of our solar system and the timeless nature of the world we live in. As it orbits the earth, the moon seemingly changes appearance due to its position …

Tsukimi Series (Duck Eggshell)

Moonlight Tsukimi

I am fascinated by the nature of time and how it governs our lives and the universe we live in. In the natural world the passage of time is predominantly characterised by the existence of cycles and repetition where one phase or stage of a living, dynamic entity metamorphoses into another. I have created many …

2011 Heartbeat 2

Dominik Mersch Gallery
28 April – 28 May 2011

Heartbeat is a more complex exploration of the concepts that have been evident in Marion Borgelt’s previous exhibitions, such as Flux and Permanence and Exotic Particles. The works in this exhibition indicate a more involved exploration of the artist’s interest in time, space and motion. Borgelt’s work charts the human instinct for imposing measure and quantifying time as a way of understanding unfathomable, abstract notions about the universe. A primary concern here is the notion of time as a human construct and constraint. The need to gauge life by way of visual patterns and numeric order manifests itself in the artist’s explorations of rhythms and cyclical change. Tsukimi Worlds, a collection of glass spheres, are a concise embodiment of Heartbeat. Each sphere is a single unit that contains activity and motion and places limits on the chaos that exists within.

Borgelt’s work navigates opposing forces, embodying the cadences and motions of a continual exchange of energy. Cycles of expansion and contraction characterise the large-scale paintings and the series of sculptural pieces. The Lunar Swell series, in particular, represents the measured compression and expansion of forms that exist in the human body. The undulating forms advance and recede in a pattern that evokes a steady beat. In the pair of sculptures titled Lunar Ebb and Flow 1 & 3, the rhythm and flow of their surfaces echoes both the sea and the human pulse, pointing to the irrevocable link between humans and their cosmic environment.

Borgelt’s paintings aim to transcend the flat surface of the canvas, appearing to form three-dimensional shapes. The Persian Strobe series shuns the explicit, favoring a subtle suggestion of exoticism. The overlapping and interlacing shapes imply the hallowed architectural forms of cupolas, spires and minarets. Abstract forms are gradually revealed, pointing to an image that hovers just out of reach for the viewer. As arresting as Borgelt’s work is on first viewing, it also invites and rewards extended engagement and meditation.

An interactive element is frequently employed in Borgelt’s practice. It is keenly felt in the cut canvas works of the Liquid Light Series where a new level of complexity is exhibited. Their potency is fully realized only when the viewer considers the work from several angles. Liquid Light’s meticulously folded strips glow vividly, forming shapes that appear to lift out and levitate above the canvas. As one moves along, the vibrant hues shift to create shapes of varying brilliance and intensity.

Overall, there is a new level of technical development and visual complexity to this exhibition. Underpinned by her familiar themes, Borgelt takes the works in Heartbeat to new, sophisticated levels of mastery where a synthesis between construction and concept is harmoniously achieved.

– Mia Pinjuh, March 2011